From the popular favorite, Sam Mendes all been waiting for a masterpiece. And to some extent, these expectations were met: foreign critics sing hymns harmony Directing, . audience - the long-awaited reunification of the most beautiful cinematic couples, . and biological daughter filmed by Richard Yates - a rigorous method for the director. Possessing a theatrical experience, . Mendes accidental bribes fantastic detail of what is happening,
. Every movement in its multi-stage, chamber and invoice painting has its own individual emotional. Each frame, built with fervent perfectionism, boasting complex composite structure. The author has little or no loss to translate text in images. The tragic story of a young couple, Wheeler, who intentions paved a road to hell, he tells the dosage, gradually, with quiet, like a boa constrictor tone. 'The road of change', . being in the literal sense, Requiem for a Dream, . stun moral pain - trenchant sentences Yeats come alive and, . gaining flesh and blood, . with pornographic candor reveal intimate body parts, . covered with scars. But, . credit for this belongs exclusively Kate Winslet - she breaking and gracefully, . holding in his left hand cigarette, . looks into the camera in such a pathetic look, . this whole 'suffocating anesthetic province', . like an injection of morphine, . into the blood,
. And all at once becomes obvious: the obstacles to metaphorical Paris, which the heroine is trying to destroy, were salutary and necessary for the family. Another thing is that it is, so do not understand anything, has become part of history, which was required with a bang and the clatter of broken life. Ekranizatsiya behavior of families who find themselves one step away from the precipice, curious and useful as a therapeutic pill. But, . despite all the dignity of painting, . the result is uncompromising and desperate doctrine of perishability relations still lost in their own significance, . and eternally topical issues such specked with dust, . that break through it was impossible. Probably, . tragedy and the fact, . that this dust poignant and simple story Yeats gained clunky ordinary drama festival, . and Mendez of an experienced storyteller really touching story transformed into a mumble something under his breath moralist,
. In pursuit of an ideal composition to the final, he lost all signs of at least some kind of life. In its ambitions have sunk to the cold, aloof and unbearable perfection, which is extremely difficult to swallow without choking. Ribbon, . with surgical precision pressing on the most painful point, . trying to squeeze out a tear, . but as a result, . a feeling, . if you read from cover to cover bulky Encyclopedia - authority right throughout, . but dry and infinitely boring as possible. Richard Yates, . by the way, . has never shown much enthusiasm for the film adaptation of his first and, . certainly, . Best Novel,
. Moreover, in every way shirking negotiating with studio moguls, that 'The road of change' was seen as particularly tasty morsel, he directly stated that he hates movies. The reason is obvious: without distorting the essence of being honest and verified, it often does not touch. Leaves me cold, that in principle - a catastrophe. We Mendes They reflect sympathetic and Infante, rotting alive in the false calm of material well-being, do not mind a drop of. Due sympathy logical manner not gone to the characters, but to the American Beauty Winslet, which again dropped a prominent role at the upcoming ceremony. Another tragedy of the local scale, which, strangely enough, hit backhand is much stronger than the film.