national cinema, for years trying to extricate himself beyond the narrow confines of the festival of cinema and that there are forces in zhahnut quality mainstream audience, a landmark for themselves chose the right - Hollywood. All that the difference in mentalities, which Galda supporters of European cinema, has long ceased to be axiomatic. For eighteen, . passed since the collapse of the Soviet film distribution, . we are so prikipeli to Hollywood, . that even attempts to mindless clone of classical productions (a remake, we will not name them - after all, no legal righteousness for them is not worth it) by other producers are perceived as something absolutely natural,
. Another thing, . that 'People' contrary to the expectations 'not hawala', . and more spits lies and down dale with disabilities from the creative, . sparing cash charges resulting accounting departments replicants in dejection. The winner - if not commercial, . it is precisely the creative - are only, . who is able to tightly integrate their genre canons of our surrounding reality,
. In most cases, only one thirty-second formula of pitching can understand whether or not to hold the picture of the expectations (justified or not, is another question). Is not kokshenovskie sentiment shines through in 'Commando in Russian'? And is not elegant sounds ligament 'Moulin Rouge in the aesthetics of the Soviet 50-s'? Y' Moulin Rouge! " Valeri Todorovski took the thing: the incredible harmony of contemporary texts from another era. But he took, not rudely snatched the original method from another context, and showing imagination and killing two birds with one stone. On the one hand - completely rewritten the verses perfectly formed in the spring of the plot, and when it does not move forward, there are more brush to work out the characters. And on the other - perfectly familiar refrains lines with a wide range of groups 'Zero' to Victor Tsoi, at some level, the reflex forced to sing along and create that same feeling of the film-festival, it is necessary to any New Year's picture. No, . among the audience must be those, . who will gundet about traumatizing favorite lyric, . but there are disgruntled and will always - the question is, . adopt the proposed rules of the game or not. Agree, . sure, . easy: from the phrase 'domestic Musical' a mile pulls naphthalene and imagining hat Boyarsky, . in conjunction with the drama of historical material, tape loses its last remnants of the attractiveness,
. But in reality crushing realism in it any more than in any gitlerkapute - the Stalin era is just a character Perepetui Hit 'Birds of a Feather', towering obstacle in the way of reckless love. And history itself has neither the time, . no space: about the same novel we read in Shakespeare's 'Romeo and Juliet', . the same passion seen in 'Dirty Dancing' - Todorovski, . essentially, . made the first hard film, . wish remeykizatora able to lie on any cultural stratum. Bright, . juicy, . dynamic, . music and festive - not this the perfect recipe kinovremyaprovozhdeniya? And if the current repertoire of perceived duty New Year's dinner, . then 'dudes' - it is definitely a dessert,
. Tasty and concealing in his mouth.