If Amelie from Mont Martre lived in London and hosted is not the most healthy way of life, it would be a Poppy Cross - Thirty slut with an infinite supply of charisma and inspiring colorful shmotok. This character of those that are intended to smooth over dull everyday townsfolk striped stockings and kindness. Teacher of junior classes, the school Poppy tells children about bird migration, symbolically illustrating a lecture a few awkward flight. Outside of school, it really soars in the air, jumping on a trampoline. Another Poppy deals with flamenco, walks with her friends at the club, for the showiness bust podkladyvaya in bra chicken fillet, and learns to drive. True, the machine goes wrong. Complexes definitely bore instructor with the first class begins to suffer from such complex feelings for his disorderly pupil, that any good it can not result. Especially if she does not succeed at last on his heels a comfortable driving shoes. And knowing Poppy: it does not succeed. Generally speaking, are not going well at Poppy not only with the car, but with all other areas of her colorful life. No male students at the school they are fighting on a trampoline threatens stretching back, and flamenco in her performance becomes the proverbial life of birds migrate offended. But then she and 'Carefree', which is not to fixate on the problems and allow easy flow of life. Directed by Mike Leigh explicitly makes it clear that this approach will not remain unrewarded. In the end the life of Poppy, as she herself was taxiing on the right track, . so that a particular reason you can talk about happy-end. sweet carelessness played a 'carefree' Sally Hawkins: the role of Poppy, she won at the Berlin festival 'Silver Bear',
. His inimitable tone of the new film by Mike Lee owes her. Heroine Hawkins commits grotesque movements sharp elbows, funny singing, so as not to groan in pain at the reception at manualschika, and driving a car ever look at the passers -. All this gives a very organic way, and why hit the target: the viewer becomes acquainted with Poppy as if by accident, and imbued with sympathy for her without first director of the patronage. For Mike Leigh, whose social drama on British fashion from the audience exhausting all my heart, optimism 'carefree' seems unexpected. His previous picture 'Vera Drake', received in Venice 'Golden Lion', lay down a heavy burden on the viewer. But 'Carefree' is not as easy as positioning yourself. While the main theme of the film becomes a cheerful worldview of the heroine, the movie completely devoid of the fantastic euphoria, we have known for 'Amelie'. The external similarity is a global difference of contents. Lee did not smooth out any roughness of life: in his film, full of chatter Poppy, hang awkward pause after a quarrel, and before sex. Hang-over unattractive, as well as loneliness and nervous breakdowns. And open (toward positive) final leaves a more complex aftertaste than the French croissant.