To extract from the ashes of age film 'Ashes of Time', Car-Vayu had to go back to 1994 when he was a young film company 'Jet Tone Films' released its first draft. He was 'Ashes of Time', remounted version of which now goes to the screens. Luggage Christopher Doyle - the famous statement, after being removed from the Kar-passer 'Chungking Express',' Mood for Love 'and '2046' - captured intertwining destinies of great warriors, wandering blindly in a fantastic universe tszyanhu. This world, rich colors, beautiful flight, and crossed swords, in the early 2000's opened Western audiences' Crouching Tiger, Hidden Dragon "by Ang Lee and 'Hero' Zhang Yimou. An earlier 'Ashes of Time' was a party, while simultaneously filmed with 'Chungking Express' glorified Kar-wai. Acknowledged master, . Today he was able to return to the child and with the help of new technologies to make 'Ashes of Time' the perfection of form, . without which the films of this director is unthinkable. In multicolor dream movie characters never-ending wind blows, . apparently, . designed to disperse the ashes of time,
. Above the blue river, in which one soldier to fight with his reflection. And over the yellow desert, where the other would take his death, having noticed that the sound with which the blood spurts from the wound, remarkably similar to the sound of wind. Rinsing edge garments, developing hair, the smoke dissipates. Heroes watch imperceptible movement - we see their faces spell, which casts a small shadow wicker bird cage. Each, . as always with Kar-wai, . feels like an actor in the face of eternity - Expressive suffering, . delivers a monologue about the feelings and memory, and adjusts the voltage of internal communication with the shaded side of the frame, . which takes care of Christopher Doyle. "Ashes of Time 'Kar-wai took on a novel by Louis Cha' Heroes, . firing on eagles',
. Taking the story of two characters, Lord of the East and pernicious evil Lord West, director of speculation episodes of their youth, and built a complex relationship with the past. Genre tszyanhu traditionally creates heroes with magical talents. Kar-Wai gave the Lords the power of memory and the power of oblivion. Wandering through time - cross-cutting theme in the work of the director - has become inevitable for them. On the way the heroes through a maze of feelings and memories benchmarks are binding to the seasons and the numerous references to the 'Book of Changes'. They seemed to recall: every day is already registered somewhere, equipped with its own prediction, and in some global sense, is not forgotten. Therefore you can freely mixed up in time, . not distinguish men from women, . and friends from enemies, . and still remain part of history, . which develops its own rules. Kar-Wai said, . that the need for a literary basis has created in him a sense of fatalism due to, . that the end of history was known beforehand,
. Meanwhile, in the 'Ashes of Time' the viewer may be confused just plot, devoid of the minimum clear. Simply put: do not understand anything. But such claims with respect to such monsters as the cinema Lynch or Kar-Wai has long not been listed. It is believed that someone should be, he will understand. All other once again proved that cinema, unlike television, is taking no plot, and the expressive means. And they in the picture - a magnificent diversity, that there are no doubts: the director is not in vain stormed the closed before Hong Kong's lab, obtaining copies of the first 'Ashes of Time'. The new version has turned a dazzling. For this cost to stir the ashes.