Viewers who have been eagerly awaiting the new creation, Julio Medem, is hardly worth worry too much about what he can to deceive their expectations. The heart of Basque director has long subjugated by three things: sex, unconscious and phantasmagoria of their interaction. If Medem and taken to shock the audience, it is only in the interest of his order. So expectations never lies. Year after year it all with great zeal and imagination depicts the outline of a young woman's body and the depth of the young female psyche. In 'troubled Anna' love directed towards these two riddles of nature has reached, . not without the help of eighteen actress Manuela Welles, . its peak. It is hard, . that can be added to this film in terms of completeness embodiment longtime director plan,
. In 15 years Medem filmed dumb plotless films. In 50 he was with a delightful enthusiasm continues to deal with almost the same. Well, in fact, a plot and dialogue can be expected from the film, which was built on the pattern of hypnotic trance. Smuglaya savage Anna is naked on the sand sun of Ibiza, showing an embodiment of primitive wisdom, innocence and beauty. The upcoming tour of the heroine in the depths of the Atlantic and past lives is intended only to emphasize the perfection of this image. Reasoning about the eternal femininity and violence, concluded in a man's nature, working as an artificially placed Beacons. This is the voice of the hypnotist, which is based on the chaotic consciousness. Ground control points the film accurate as tsiferki countdown. The sun shines, the body bends in relief, female moan turns into laughter. The film begins with a dramatic episode of falconry: the blood of innocent victims, lyazgane steel claws, cynical smile viewers. Prologue refers to the theme of male aggression against women, to the theme of war, which will periodically respond and at the end closes the film in the ring. Scene of falconry at the Medem as dramatic as the connection in one frame fading bohemian Rampling and resplendent Welles. And what is behind this, . besides the obvious contrast between the hawk and dove, . old age and youth? Medem is not seeking to redefine known truths, . and to their new incarnation, . here achieves a powerful effect, . working perfectly with the lines, . color, . music,
. Dedicating the film deceased sister-artist, . director filled his paintings, . which combine dreams with reality, and surely the title illustrate the idea of emotional chaos, . which, . seeping to the surface, . filled paint, . the sun and the sounds,
. This basic difference 'restless Anne' from 'Youth Without Youth' - Coppola's new film, devoted about the same attempts to reach the primary source of the psyche and the universe;. In Coppola's man is too fragile to hold the answer. We Medem - on the contrary, Anna becomes the ideal form for the eternal feminine archetype. And perhaps that is why 'Youth Without Youth', with all the authentic references to the collective unconscious, looks delirious stream of characters, and 'Anna' conquers the simplicity and perfection. The secret is that Medem does not undertake to describe the inexpressible. Chaos he only inspired, while his imagination from the very beginning cinematographic and convenient for realization. Movies Medem - it is poetry, beautiful and subjective. As always in such cases, somebody taught the verses by heart, but someone left behind. But the cold Churbanov go to the bottom, it is better to find yourself on the beach in the power of dreams, inspired by the heat. And a half hour forgetting to wipe off the face of an idiotic smile.