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Review to a film The X-Files: I Want to Believe |
"Secret Agents" 'I Want to Believe' - the second cinematic attempt to recall the cult TV series about green men, and, hopefully, that the latter. Somehow, bewilderment - it is the only emotion that arises after viewing the film, in which all mysteriously comes as something wrong. It is clear that for director Chris Carter's 'X-Files' - this is such a dearly beloved child, habits, and capricious behavior of which he knows firsthand. However, contrary to an explicit request of the author to revive and awaken interest in the almost forgotten fantasy epic, . quite easy to see even with the naked eye, . that Carter made a, . that the jurisprudence is characterized by, . as child abuse. Abstracting from that a small target audience, . which is still cherished nostalgic, . will be accepted with pleasure to arrange to sort out their memories, . associated with the mysterious fate of Mulder's sister and other intricacies of plot series, . straight not know to whom this work is intended, . Movies came surprisingly long, mournful, devoid of logic and all the driving force inherent in even the most detective-throughs. 'I Want to Believe' - opus, wearying exactly so that glances at the clock every ten minutes. The main problem of the picture lies not even in the main heroes who defiantly going through a midlife crisis. Naturally, the radical character is not regress in the absence of such a mind, how the loss of common rationality. Dana Scully, now toiling doctor too often complained to God and desperately cares about other people's children, and perhaps - an indicator of age. Of course, consider wrinkles Gillian Anderson - employment terribly touching in its essence. However, this, in principle, a good actress, which perhaps could be a substitute budget Julianne Moore, at some point becomes even sorry. The girl, vainly trying to build an independent career in film, unfortunately, perhaps fortunately, will live forever in the memory of each the most beautiful FBI agent in the history of cinema. Well, a similar situation is with David Duchovny, obzavedshimsya in 'I Want to Believe' thick bristles elderly recluse and puffy face. Although it is not important, because the audience will probably be the last to perceive the duo as a favorite old friends from past lives. Perhaps, . so forgive them and all, . even inappropriate, . sometimes irritating and simply distilled for meaningless dialogue. Actually, . New 'X-Files' unintelligible as a film only for one reason only: Chris Carter absolutely not able to work with a wide diameter, . Script, not even attempting to comply with standards for film, sags in the most unexpected places. Predictable to the last detail storyline in the absence of simple dynamics and detective intrigues, . It seems exhausting prolonged. Meanwhile, . analyzing and remembering the self-titled TV series, . confronted with a paradoxical conclusion: every single segment of it was utterly cinematic, . The various responses to the creators of the puzzles were introduced in the spectators' minds dosage, and truth is always hovering somewhere nearby. In 'I Want to Believe', sadly, the opposite. Plot canvas distinguished diametrically opposed, and it should be noted, dubious character. First, . the movie reeks of endless, . nabivshimi nauseam dies - whether classic villains, . again originating from Eastern Europe or extremely frequent close-ups of mournful faces Gillian Anderson, . whose character is obsessed with the salvation of a terminally ill child. Second, . meticulously focusing on the lyrical digressions, . director has managed to capture not expected detective thriller, . and stretched to the required timing soap opera, . Habitual puzzles in the picture - at least, but the notorious 'soap' with a simple morality and the waterfall from terse tears Mulder and Scully have to pretty nearly every scene. What's really strange, the creator of the legendary television series quite seriously trying to shuffle a genre, giving banal horror stories with the traditional search for kidnap victim, intonation terry women's melodrama. As a result, began talking briskly high matter in which the bristle is constantly repeating, incidentally, quite brazenly cutting hearing appeals to believe in myself, Chris Carter ishitryaetsya not catch any of the possible hares. That's really true, as they say in such cases, want not harmful. Photo gallery
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