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Son

Le Fils
Drama, Belgium, 2002
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• Director: Jean-Pierre Dardenne, Luc Dardenne Cast: Olivier Gourmet, Morgan Marina, Isabella Supari, Kevin Leroy, Nassim Hassaini etc.. Screenplay: Jean-Pierre Dardenne, Luc Dardenne,
Home Movie sharply: manual camera just intrudes into the carpentry workshop, absorbs unbearable screeching circular saw, welding sparks, smells of sweat and labor of the righteous wood shavings. The ending - as chair of disorderly carpenter, fractured right under you. Watch "Son" in the cinema not: many swayed, those whose vestibular system is better, snore, from the gallery someone is sneaking towards the exit. Watch at home - also can not be: equivalent to a single dive in a standard cast iron bathtub, . You can not oklematsya. Pizano about this picture nemeryannom - Cannes favorite, . sensation, . endurance competition, . which won the audience generously rewarded with a glossary of all esoteric books, . including mandatory premium catharsis,
. But participants triathlon on this side of the screen will be disappointed in their subjective expectations. Exposition "Son" has a curve shape gnarled logs, and inspired by the disputants immediately grab the plane and a hacksaw. Carpenter, Olivier takes the wolf to his fellow apprentices, just released from prison, and some are already waiting, as will edifying thread to make the block in the moral Pinocchio. With all the entitlements due to the teachings, read: ABC - well, to poke his long nose into the hole wall canvas - bad. Such simpletons enough, most already know that the apprentice well acquainted with the fact that this is very, very bad, and the five-year term he served for the murder of his son, Olivier. I myself belong to the majority, confidence in further psychological wrestling, culminating in the high register with the moans and clout in polished lengthy dialogues and motivations of the New Testament. But the majority were wrong along with musician that gave the Pope Carlo fathers this "Son." Painting is easy, as the truth. As the CPD, as a leaf nazhdachkoy on bare skin. It does not provide cherished psychic attack - on the grounds that the Dardenne brothers have enough external body. The bodies, which can otluptsevat, and you can frazzle and consider all ugliness - with moles and dirt under the fingernails, teenage acne and nicotine yellow teeth. Patient viewers did not notice, as off-putting, unethical intent checkup goes into detail pathogenetics spiritual ills. As a biased questioning of wood varieties, through silently smoked cigarettes and just sawn-off beam, through the dried-up parameters and values emerges bezappelyatsionny existentialism. Treatment should not be. Incurable. And no need to swarm in the cerebral cortex and irritate the lacrimal glands. Tactics such latent zombie and making such unflattering verdicts even more despicable and more sophisticated than sensual evisceration by Lars von Trier. The primary and most effective tactical move by the Belgian brothers - in their technique that stiffer and easier to fashion nowadays Austrian extremism, fashion yesterday, Iranian cinema-believe and the Danish "Dogma", a fashionable two days. In general, the fashion craze to forget, because in this rough austerity already swaying shadows Bresson and Bergman. Usvoyte that frustrate you to the roof was not the intention - tiles you methodically exfoliates. Dardenne erect its crooked adobe architecture, highlighting Sun Б•і empirical something dermatological. Be allowed, in short, turbulent flows under a still stone figures engaged in business inexpressibly sad - observation. In this state they will be enough conflict scheme, furniture of the drawing, and to overemphasize the moral and ethical dilemma, as the year before last "promise" to Luc and Jean-Pierre prohibited. Olivier Gourmet, they play an energetic papa, you can bring in full immobility, stiffness, and a drop squeeze out all the juice are. Then sensitive viewer pochuet that ash from the top: the roof, perhaps, worn out ... Particularly sensitive and unbelieving skeptics recommend looking straight dardennovskuyu "Rosetta" and, . probably, . Paris, . Texas: the latest director, . equal to the Belgian brothers in removing the therapeutic shock from some chips or quartz grains, . it was Wim Wenders,
. A better metaphor to the result of viewing will be asphyxia. Yes, strangulation nailed together in good faith spectator chair. Just like in the backseat of cars that even think to rob a shy teenager with an interest in carpentry ... In an outstanding film, from which you expect subtle metaphors, but it is austere throws you noose around his neck.
Genre: : Drama
Country: : Belgium
Year : 2002
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