No trains, no fishing rod Б•і Comrade

Not every rezhiss Б•і p boasts a cinematic hand, a Stelling it is. The recipe is as follows: a minimum of words, allegorical and charismatic heroes. We rezhiss Б•і ra total of nine full-length films (not so much for our conveyor era), and each of them carried Б•і t in a conceptual message without distracting from the subject mentioned above framework author "kitchen". Enough to see "The Illusionist" to continue to accurately "learn" to "Switchman," "Flying Dutchman" that inimitable style that is inherent in all works Stelling. When the cinematic mainstream is simply not available, making the single author's cinema is always visible, and if we add to this talent (in the case Stelling), we can claim to be a symbol of national cinema. We say "Spain", remember Almodovar, saying "the Netherlands" - before the eyes Stelling. When the world's screens out the new film masters "No trains, no fishing rod Б•і Comrade" critics and audiences were prepared to once again plunge into the surreal, and at the same time, a reliable, world rezhiss Б•і ra. But Sun Б•і proved not so simple. Privokzalnaya cafe in Amsterdam. Place, . where different people are going, . with different destinies and views on life - an elderly couple, almost blind frequenter of the dog - a guide; Paola - a girl seeking a man, . ready to pay her for her e Б•і love of German Klaus, . willing to pay for this love, . but after, . how to meet with partners Б•і ramie business; daughter barman hold its first meeting, an elderly bartender, . worry about her daughter; ц?ц№ Б•і more elderly waiter, . asleep at the time of customer service, . timid and spineless Gerard, . announcing svo Б•і m away to Italy,
. Today, he sewed Б•і l favorite restaurant the last time to say goodbye to friends, leaving each of them its some simple gifts - mother's brooch, cat, lipstick. But not enough ц?ц№ Б•і one person - Mario Russo, under this stage name hides brother Gerard. Mario star, he knows and loves all visitors to the cafe, they were persuaded to invite his brother Gerard in a cafe under the pretext of departure Б?? For many, this cafe is not more than a place where you can wait for a train. For others - this shelter, where you can hide from life, from e Б•і grief and empty illusions Б?? After kinorabot avant-garde that have become classics of the genre, Stelling turns to a new style of narration. When Lynch took off his "Straight Story", many were surprised and did not take the film, Stelling took "No trains, no fishing rod Б•і Comrade" and has not lost. This movie waiting, just do not think that it would withdraw it, he. Normal, everyday history, telling about the most common and ordinary people, after viewing, which is not ashamed to swallow Sweeping lump in my throat and think a little. The film, directed Б•і nny to heart, and not to reason. It is useless to look for hidden quotations, metaphors and images. They're not here. "No trains, no fishing rod Б•і comrade" as music is a universal language of human feelings. "In music, - says rezhiss Б•і p, - frequently used loops, cyclic development, themes, variations. Music in the film should also serve to maintain this idea of cyclical development. Memories, circles, the revision of the previous one, like playing the theme in a different key. You enter the feeling between the two characters are determined Б•і nnym musical fragments to bind them. When one of the characters disappear and appear later, you use the same music, so you designate the course of his thoughts. Use of all types of instruments brings your movie to the level of the characters and act out Б•і ditch. "Jos Stelling, was and remains Б•і Yield-Use one of the most distinctive rezhiss Б•і ditch Europe. "No trains, no fishing rod Comrade Б•і" ц?ц№ Б•і one facet of his work. After removing the film, he proved that he can work not only on the highbrow audience, but also to talk with the audience in his own language. And how to do it, there is almost no equal to him.